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商务部：跨国公司对华投资呈现“三个转变”_我的网站

一 |     Just when it seemed that Vaa Vaathiyaar was finally ready to arrive in theatres, the film has run into fresh legal trouble that may delay its release yet again. The Karthi led entertainer, directed by Nalan Kumarasamy, was recently confirmed for a December 12 opening. However, the Madras High Court has now issued an interim order restraining the film’s release, a development that has left fans and trade watchers anxiously waiting for clarity.High Court Restraint Casts Doubt on the Film’s ArrivalThe legal dispute originates from a long-standing case involving producer KE Gnanavel Raja of Studio Green. According to the petition filed by the Official Assignee of the High Court, the producer has outstanding dues linked to a film project that dates back to 2011. As per records submitted in court, Gnanavel Raja and businessman Sunderdas had entered into an agreement to co-produce a film, with both parties expected to invest forty crore rupees each. Sunderdas is said to have contributed 12 crore and 85 lakh rupees before stepping away from the project.In 2014, the High Court declared Sunderdas insolvent and appointed the Official Assignee to evaluate his financial liabilities. Upon review, the Assignee has reportedly found that Gnanavel Raja still owes ten crore and 35 lakh rupees to the insolvent estate. This prompted the Assignee to file a petition in 2016, seeking a directive for repayment along with interest at eighteen percent per year from 2013. The matter has remained pending and has now resurfaced at a critical moment for Vaa Vaathiyaar.          The Court has currently placed a stay on the release of the film until December 5, with the next hearing scheduled for December 8. Whether the makers will secure permission to proceed with the planned release remains to be seen.A Promising Collaboration Caught in UncertaintyVaa Vaathiyaar marks the first union between Karthi and filmmaker Nalan Kumarasamy, a pairing that has generated considerable excitement. The film is positioned as an action comedy with a quirky premise. While the makers have kept most story details confidential, early buzz suggests that Karthi plays a police officer who admires the late actor and politician MG Ramachandran. In a fantastical twist, his character is believed to be possessed by the spirit of the former Chief Minister while investigating a case.Krithi Shetty plays the female lead, while the supporting cast features respected names including Rajkiran, Sathyaraj, Anandaraj, Karunakaran, GM Sundar, Shilpa Manjunath and Ramesh Thilak. The film also boasts a strong technical team. Cinematographer George C Williams handles the visuals, Vetre Krishnan edits the film, Santhosh Narayanan composes the music, and DRK Kiran serves as art director.The project has built steady hype not only for its star power but also for Nalan’s return to the director’s chair, a move that fans have been anticipating for years. For Karthi, who is coming off the success of films like Sardar and Ponniyin Selvan, Vaa Vaathiyaar promises a lighter and more playful outing.For now, the focus shifts to the court proceedings. The hope within the industry is that the legal issues will be resolved swiftly so that the film can arrive without further setbacks.                                         Also Read: Karthi’s Vaa Vaathiyaar Locks Release Date。      北京8月25日电（记者谢希瑶、黄韬铭）国务院新闻办公室25日举行新闻发布会介绍第二十六届中国国际投资贸易洽谈会有关情况。商务部副部长兼国际贸易谈判副代表凌激在发布会上介绍，从目前跨国公司对中国投资，以及他们近年来参加投洽会情况来分析，跨国公司对华投资新趋势概括起来有“三个转变”。

二 |   第一个转变是从“注重成本”向“注重价值”转变。当前，外商投资中国已不仅仅看劳动力、土地这些传统要素成本，他们更关注高效的产业生态、优越的基础设施，特别是现在的绿电、算力等新型生产要素供给，以及高效的供应链体系，充满活力的创新生态和高素质的人才供给。这些优势都是跨国公司在中国发展的重要驱动力，也是他们在全球形成竞争力的重要因素。  第二个转变是从“填补空白”到“锻造实力”转变。早期跨国公司主要瞄准中国的资金和供给缺口，从引进资金、成熟技术到商业模式和管理就可以在中国较快获得成功。

三 | 这些年随着中国产业发展水平提升，市场竞争日益激烈，消费应用场景的丰富和日趋多元化，越来越多跨国公司把中国作为提升其全球竞争力的“训练场”或“健身房”。

四 | “我们同很多跨国公司高管交流中，经常听到一句话，‘如果你在中国市场能取得成功，那你就能够在世界其他地方取得更大成功’。”凌激说。  第三个转变是从“独立运营”向“协同发展”转变。过去很多外资企业在华投资都是搭建自己的研发和供应链体系，依托跨国公司内部的产业生态来完成供应链的配套，所以过去很多外资企业在中国都是“大进大出”的。随着中国产业链供应链体系日趋完备和高效，现在越来越多外资企业正深度融入中国产业生态，本土化水平不断提升，与中方合作伙伴的协同发展日益加强。

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